Julius Caesar
by William Shakespeare
Directed by Penny Tuerk
May 13th - 22nd, 2010
The Tower Theatre performing at St Leonard's Church, Shoreditch
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Julius Caesar
by William Shakespeare
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May 13th - 22nd, 2010 |
The Tower Theatre performing at St Leonard's Church, Shoreditch |
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Chorus, playing all the other roles | |||
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Director : Penny Tuerk
Movement : Lindsey Royan
Costume Design : Sheila Burbidge and Celia Reynolds
Lighting and Sound Design : Laurence Tuerk
Stage Manager : Alison Liney
Assistant Stage Managers : Margaret Ley, Moira McSperrin
Wardrobe : Jill Batty, Denyse Macpherson, Nigel Martin
Sound Operator : Michelle Roebuck
Percussion : Peta Barker
Refreshments : Pat Grosse, Bernice Molloy
Honour is the subject of my story If you have tears prepare to shed them now
It is the feast of Lupercal Cry havoc and let slip the dogs of war
Beware the ides of March Men at some times are masters of their fates
Mischief thou art afoot It must be by his death
Words before blows Who so firm that cannot be seduced? We will be revenged
Review in the Camden New Journal by Amah-Rose Abrams
The Tower Theatre Company has long had a reputation for putting on entertaining and accomplished productions in and around
Islington and Camden. Their latest is a timely production of Julius Caesar at St Leonard's Church in Shoreditch.
Just as the powerplay in central government took an historic turn, the actors took to the stage to act out Shakespeare's classic tale of power and corruption.
In the setting of this historical building, legendary Elizabethan actor James Burbidge was laid to rest. Now, in keeping with the
church's theatrical traditions, the Tower Theatre Company take on this great play – and more than do it justice.
The chorus, a key part of this production, lead the drama, building the tension around the plot to overthrow the emperor of
Rome in an attempt to bring democracy to the empire.
But power corrupts, and we see how guilt and desperation for power can erase any ideals held by those caught up in it.
The key speech of the play, Mark Anthony’s "Friends, Romans, Countrymen ... " is indeed the highlight of the production
and brought to mind the sometimes frenzied nature of the relationship between the British media and the public.



























